In the summer of 2017, the Fondation Beyeler in Basel played host to an extraordinary event that bridged the worlds of electronic music and avant-garde photography. Renowned electronic music artist Frank Wiedemann performed an unforgettable DJ set amidst the evocative works of Wolfgang Tillmans, providing an auditory dimension to the visual feast on display. This year marks seven years since that iconic performance, which remains a celebrated moment in the intersection of contemporary art and electronic music.

The 2017 exhibition at the Fondation Beyeler was a significant occurrence, as it was the first comprehensive engagement with photography at the museum. It featured around 200 works by Wolfgang Tillmans, dating from 1989 to 2017, showcasing his evolution from capturing the spirit of a generation to experimenting with the boundaries of the photographic medium. Tillmans' works, ranging from traditional genres to abstract visual explorations, were meticulously curated to create a narrative that transcended conventional photography.

Amidst this backdrop, Frank Wiedemann’s DJ set added an immersive layer to the experience, harmonising with Tillmans' visual language. The integration of dance music with the exhibition provided visitors with a multisensory journey, enhancing their engagement with the artworks. Wiedemann’s performance, known for its emotional depth and innovative soundscapes, resonated deeply with Tillmans' exploration of the creation of images, both with and without a camera.

Reflecting on the event, it’s clear that the collaboration among the museum, Wiedemann and Tillmans was a dialogue between two artistic disciplines that enriched the cultural fabric of Basel. As we mark seven years since this remarkable fusion of art forms, it stands as an example of the enduring power of interdisciplinary collaborations in the arts. The Fondation Beyeler continues to celebrate such innovative engagements, fostering a space where art and music converge to create unforgettable experiences.

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